Jane Eyre plays that are viewable
The list of arts lost to the pandemic includes
various stage productions of Jane Eyre, which could no longer be performed before audiences. A silver
lining is that some of the companies have made their productions available for online viewing.
I will post one review for now (November 2020),
intending to follow it with others.
One such production comes courtesy of the Flock Theatre, based in New London,
Connecticut, USA. It is based on an adaptation by Julie Butters, who also plays the lead role of Jane as an
This production differs from others I have seen. Presumably for reasons of
health, the film consists entirely of cuts back and forth between lone actors; there are no group scenes. I
adjusted to this form of presentation but still longed for the physical closeness and interplay between characters
that the stage version undoubtedly would have included. In addition, it took time to get used to hearing this
British tale acted out in American accents (other than Adele's French-infused English).
Butters has done an admirable job of scripting, creating the dialogue almost
exclusively from bits of Bronte's original wording. Scenes tend to contain just enough of that wording to give the
work an authentic flavor, without delving more deeply than necessary into the book's sometimes voluminous
Segues between scenes feature a type of simple artwork called "shadow puppetry."
Paper cutouts, atmospheric lighting, and rudimentary motion lend an early-19th-century feel to these
As with any production of Jane Eyre on stage or screen, parts of the
plot have had to be excised due to time restraints. For example, Jane's time at Lowood flies past: she arrives, is
placed on an imaginary chair, and is comforted by Helen, who later gets scolded by Miss Scatcherd and falls ill. We
do not encounter burnt oatmeal, or Miss Temple, or Reverend Brocklehurst's family, but those sorts of omissions do
The cast is 18 actors strong, with four of them playing multiple roles.
I found the performance level a bit uneven; some lines seemed to be plainly recited
rather than delivered as revelations of characters' thoughts and feelings. Two standouts were Sydney Nunes, a
clear-spoken young Jane, and the aforementioned Julie Butters, who wrung believable emotions from the older Jane's
travails without overdoing it.
Information on this production, and a link to the video (which runs 1 hour 51
minutes), can be found here.